Gregory Stauffer

The 4 Gardens

2024–26

The 4 Jardins intends to explore four areas of collaboration that emerged during and after the research-creation project Processus créatifs durables en arts vivants (21-22). These four areas are both research-creation fields in their own right and interact with each other.

They are all part of the field of social choreography, eco-somatic practices and the expressive arts. They all invest a defined period of time in a creative process and are inspired by one of the four seasons. Summer will test the possibilities of creating in and from thematic and aesthetic nodes between art and society; autumn will explore the edge between experience and analysis by observing how creative work on feedback can support a creative process; winter will explore dying, mourning and silence in artistic practices; spring will explore the field of intuitions and ideation. The main aim of this research is to stimulate the aggradation of individual and collective bodies throughout the creative process. If aggradation refers to the fact that a soil is regenerated by the practice of ecological gardening, how can the bodies put to work also be regenerated by artistic practice? Could work that is inspired and informed by the seasons provide keys to our relationship with the living, with fundamental and alternative movements?

Solo

VENUE

Malvaux- centre d'explorations écosomatiques en forêt, Biel/Bienne 2024-2026
UQAM, Montréal 2025
ADC, Genève 2025

CREW

Gregory Stauffer
Eve Chariatte
Guy Cools
Julia Wehren

production

In collaboration with Département de la recherche La Manufacture, Lausanne

support

IRMAS
CICAS


https://www.manufacture.ch/fr/6946/Les-4-jardins-Comment-s-orienter-dans-les-processus-creatifs-de-maniere-durable-et-resiliente

The 4 Gardens

Sustainable Creative Processes

2021–22

Sustainable Creative Processes led together with the research department of La Manufacture, Lausanne explores questions of circularity and aggradation as they are conceptualised and applied in natural farming, and transposes them into artistic practices. an intention of increasing the soil's ressources by cultivating it.

In this research, We transpose the permaculture design principles into artistic processes. This transposition will be done in the forest of Malvaux in Biel/Bienne from June 2021 to May 2022, partly solo, partly in collaboration with guest artists, and partly with students of the F class of the Bachelor in contemporary dance of La Manufacture. Ultimately, it wants to build practical and conceptual educational content.

Permaculture was developed by B. Mollison and D. Holmgren and defined in 12 design principles. This design aims to increase the consideration of the interconnections inherent in any living context and in so doing increase its capacity for productivity, solidarity and resilience. Mainly known for its use in eco-agriculture, permaculture is from its origin developed for application in all fields of human activity. In transposing the 12 permaculture principles into artistic practices we test the possibilities of transformation and augmentation of our habitus. This research-creation is an opportunity on an individual and collective level to test new models of working and to invent crafts as well as vocabularies.

The theoretical axis of this research explores the possibilities of carrying out terrestrial artistic practices freed from capitalist ideology and its designs of transhumanist and spatial expansions. It is based in particular on the books of Silvia Federici Beyond The Periphery Of The Skin (2020) and Bruno Latour Où atterrir? (2017). The artistic axis is inspired by the work of sculptor Andy Goldsworthy, choreographer Anna Halprin and visual artists Marjetica Potrc and Marguerite Kahrl who, in their own way, have experienced creation outside of classical institutional contexts and reaffirmed an anchor of their artistic gestures in and for life.

In collaboration with Département de la recherche La Manufacture, Lausanne

VENUE

Espace libre, Biel/Bienne 2022
ADC, Genève 2022

CREW

Gregory Stauffer
Meriel Kenley associate at the research department of La Manufacture, Lausanne
Yvane Chapuis direction at the research department of La Manufacture, Lausanne
Promo F Bachelor in Contemporary Dance, Lausanne
Guy Cools guest dramaturge
Sonja Jokiniemi guest artist
Mala Kline guest artist
Ernesto Oeschger guest artist
Pictures Simone Haug

https://www.manufacture.ch/fr/5162/Processus-durables-en-arts-vivants

https://manufacture.ch/fr/5571/Parution-du-3e-numero-du-Journal-de-la-Recherche

Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes Sustainable Creative Processes

Sitting

2020

Beginning 2019 watching my one year old daughter's postures and games I started a choreographic research on the body sitting on the ground, whose gestures, presence and imaginaries are born from the immediate relationship generated by this situation. Raw choreography, architecture of the seat and games of its possibilities. How does the point move, become dynamic, grow or atrophy? What relationships with the world, what myths, what figures are invoked and visit us? Who is sitting on the ground? Manifestation of a body resisting the movement of the world Sitting celebrates the dull and subterranean power of the ground and those who bond with it. On the ground sit children, pacifist demonstrators, strikers, sit-ins, esoterics, backpackers, prisoners of war, the vanquished, meditators, talking circles, lovers, the wounded, beggars , the drunkards, the exhausted, the root beings. Drop, land, anchored, seated, inscribed, there, part, cupule, building, soil, garden, stone, dolmen, cairn, mountain, hamlet, refuge, foundation, basement, support, humus, receptacle, fountain, stationary, basin, bowl, basin, jar, vase, anal, ring, anus, bedside, on the edge of a precipice, in happiness, on your fortune, on your positions, around the fire, at church, at school, sitting the dog, besieged.

Solo

VENUE

Zurich Tanzt, Zurich (CH) 2022
Arsenic, Lausanne (CH) 2021
Scène de la Danse, Fête de la Musique, Geneva (CH) 2021
Retrospettiva di una pandemia, Cima Norma, Dangio (CH) 2021
Dance First. Think Later - Le Commun, Geneva (CH)2020

CREW

Concept and performance: Gregory Stauffer
Dramaturgy: Sonja Jokiniemi
Administration: Arythmie, Marianne Caplan & Artemisia Romano

production

Le cabinet des curiosités

coproduction

Arsenic, Lausanne

support

Ville de Genève
Fondation Ernst Goehner, Fondation Marcel Regamey
SIS
Société suisse des auteurs SSA -
Bourse chorégraphique.

Special thanks to Jérôme for turning me into a fountain man, to Nefeli for teaching me yogic foundations, to Aaike for all our discussions around stones, to Ernesto for his collection of objects and sculptures, to Patrick for his advice, to Mathilde who inspires me and Beth who supports me, to Olivier to link artistic mediums, to the Karte Noire team in Biel. Thanks to the places of research and creation: Cima Città Dangio, Espace - Raum für Bewegung Bienne, to the studios of ADC and Arsenic, to all the lakes and rivers visited.


https://mmmaniaaa.com/sitting-by-gregory-stauffer/

Sitting Sitting Sitting Sitting Sitting Sitting Sitting Sitting Sitting Sitting Sitting

The Crisis - Nettle Dance

2019

Moving through all of that with my dearest nettle. First video of botanical choreography. A heavy storm with hail started right at the end of the shooting. We ate the nettle later in a soufflé.

Solo

CREW

Performance Gregory Stauffer
Video Beth DIllon

The Wide West Show

2019

It's the story of the Clown, his companion the Auguste and their mentor Mr. Loyal. It's the story of three clownboys in the ruins of their dreams. After the conquest of the great plains of the Wild West, they have coded the digital plains, imagined a liquid world where all expansion can move without limits and observe the streams crashing down on the solid continents of their reactionary minds. Taking inspiration from the “Wild West Shows” of Buffalo Bill Cody at the end of the 19th century, the trio embodies the aging figures of three white men off to conquer the world. “The Wide West Show!” drifts along the so called age of modernity and it's obsession with progress, utility and acceleration, of which the clown here becomes the parodic figure.

In collaboration with Ariel Garcia, Johannes Dullin

VENUE

Festival Programme Commun, Lausanne (CH) 2019
ADC, Genève (CH) 2019
Arsenic, Lausanne (CH) 2019

CREW

Dance & clowning: Ariel Garcia, Gregory Stauffer and Johannes Dullin
Costumes & set design: Beth Dillon and Alice Joel
Sound: Ariel Garcia
Lights: Joana Oliveira
Dramaturgy: Marius Schaffter
Administration & distribution: Tutu Production Pauline Coppée
Pictures: Gregory Batardon

production

Cie le Cabinet des Curiosités

coproduction

ADC, Genève
Arsenic, Lausanne

support

Pro Helvetia
Ville de Lausanne
Loterie Romande
Fondation Nestlé pour l'Art
SIS

AIR Lo Studio - Performing Arts Centre, Bellinzona
CAMPO, Gent (B)


The Wide West Show The Wide West Show The Wide West Show The Wide West Show The Wide West Show The Wide West Show The Wide West Show The Wide West Show The Wide West Show The Wide West Show The Wide West Show The Wide West Show The Wide West Show The Wide West Show

Chakra Gang Bang

2018

Chakra Gang Bang—a durational performative installation imagined and created to occupy the 7 nuclear shelters of Arsenic— stages 7 contemporary situations imagined according to the Eastern system of the chakras, an ancestral system of specific energy centres situated along the spine. Authentic Boys draws inspiration from their theoretical essence in order to transpose them into contemporary Western marketing signs. If they were slogans, they would name them thus: security, porn, workout, coaching, communication, leadership and immortality.

In collaboration with with Aaike Stuart

VENUE

Arsenic – Centre d’art scénique contemporain 20 & 21 November 2018

CREW

Concept: Authentic Boys (Gregory Stauffer, Johannes Dullin, Aaike Stuart, Boris van Hoof)
Direction: Aaike Stuart et Gregory Stauffer
Performance: Louna Rachel Basler, Nadia Beugré, Julia Bihl, Alexia Casciaro, Johannes Dullin, Adrian Filip, Bastien Hippocrate, Nora Moser
Film: Aaike Stuart, Boris van Hoof, Gregory Stauffer, Lionel Haubois et Filipe Pascoal
Sound and light: Arsenic team
Building up assistance: Magali Perrin et Yann Moennoz
Administration: Pauline Coppée – Tutu production
Pictures Cynthia Mai Ammann

production

Le Cabinet des Curiosités (CH)

coproduction

Arsenic – Centre d’art scénique contemporain

support

Fondation Nestlé pour l’Art


http://authentic-boys.com

http://aaikestuart.com

Chakra Gang Bang Chakra Gang Bang Chakra Gang Bang Chakra Gang Bang Chakra Gang Bang Chakra Gang Bang Chakra Gang Bang Chakra Gang Bang

Dreams for the dreamless

2017

Dreams for the Dreamless is a dark pop odyssey that confronts fantasies and cliches of the Scandinavian north. I have spent a period of residency at Mustarinda AiR, Finland, during the winter of 2016 to explore the generative potential of the meander and intuition through deep forest explorations. I returned home with a catalogue of impressions made of texts, images, movements and sounds. I invited visual artist Beth Dillon, musician and composer Ariel Garcia and light designer Jonas Buhler to transform the material I had collected in the north. Objects, costumes, music, moving image and lights for the show were developed in response to the vastness, myths, secrets and silence of nordic forests; the phenomenon of black water in flow and fall; and the role of the artist as a hunter of impressions and encounters in the landscape. I then wrote the choreography within the stage environment the team had created. Body, object, sound, light and image wake up for the night, unleashed in a state of constant interaction and transformation to create a dreamscape traced in contours of ooze, powder, sweat and song.

Solo

VENUE

Centre culturel suisse, Paris (F) 2018
Performance Process, Tinguely Museum, Basel (CH) 2017
Arsenic, Lausanne (CH) 2017
Südpol, Luzern (CH) 2017
ADC, Geneva (CH) 2017

CREW

Concept and performance Gregory Stauffer
Costumes, installation and video Beth Dillon
Sound composition Ariel Garcia
Lights Jonas Bühler
Poetic consultancy Alain Volpe
Dramaturgy Johannes Dullin
Administration and distribution Tutu Production

Thank you Bastien Gachet, Juhani Haukka, Jessica Huber, Tiina Arjuuka, Pauliina Leikas, Riitta Nykänen and all the beautiful people met in AIR Mustarinda.

Pictures Simon Letellier, Gregory Batardon
Texts Alain Volpe and Gregory Stauffer
Video Stephane Darioly

production

le Cabinet des curiosités Geneva

coproduction

ADC- Association pour la Danse Contemporaine, Geneva
Südpol, Lucerne
Arsenic, Lausanne

support

Ville de Genève, Loterie Romande, Pro Helvetia, Fondation Ernst Göhner, Fondation Nestlé pour l'Art, Corodis, Pourcent Culturel Migros, Tanzhaus, Zurich


http://www.mustarinda.fi/

http://www.bethdillon.com/

http://www.johannesdullin.com/

Dreams for the dreamless Dreams for the dreamless Dreams for the dreamless Dreams for the dreamless Dreams for the dreamless Dreams for the dreamless Dreams for the dreamless Dreams for the dreamless Dreams for the dreamless Dreams for the dreamless Dreams for the dreamless

Walking

2015

My first walks were taken with my mother in Evolène, Valais, during my childhood holidays. She died in 2013 and I take her with me in this performance work.
For 60 minutes, I walk with a drum, with a flute, but mainly using only the body in motion. During the performance, the physical gestures of walking evolve and change in response to playful experimentation with forces of imbalance and falling. This performance is a tribute to the land that carries our shifting verticalities and grounds our dreams and ambitions. The focus of attention is brought to ground level, to the height of the foot and the earth that we crowd, drawing tracks and paths on our journey through life until death. This work considers wandering as a way of being in the world where, according to the words of Rebecca Solnit, the landscape and the mind and the body connect with each other to form a musical chord.

Solo

VENUE

Festival BONE, Bern (CH), 2017
En marche, Sion (CH), 2017
Festival les Fabriques, Parc Rousseau, Ermenonville (F), 2017
Reihe Neu-Oerlikon (CH), 2017
Swiss Dance days, Geneva (CH), 2017
Extra Ball, centre culturel suisse, Paris (F), 2016
CACY, Yverdon (CH), 2016
Goethe Institute, Dhaka (BD), 2016
International contemporary dance festival, New Delhi (IND), 2016
Dampfzentrale, Berne (CH), 2016
Centre culturel suisse, Paris (FR), 2015 

Far°, Nyon (CH), 2015

Metro Arts, Brisbane (AUS), 2015

Teatro Dimitri, Verscio (CH), 2015 


Evidanse, Saignelégier (CH), 2015

Südpol, Luzern (CH), 2015
Gessnerallee, Zürich (CH), 2015
TU, Genève (CH), 2015





CREW

Concept and performance: Gregory Stauffer

Stage design and costumes: Jérôme Stünzi

Dramaturgy: Marius Schaffter

Light design: Antoine Frammery
Sound assistance: Ariel Garcia 

Graphic design: Jérôme Stünzi

Administration: Laure Chapel Pâquis production
Pictures : Chloé Tun Tun & Dorothée Thébert-Filliger
Teaser: Chloé Tun Tun
Video silly walks: Jérôme Stünzi

Thank you: Hélène Mateev, Ernesto Oeschger, Guy Cools, Alain Volpe, Amaël Kienlen, Johannes Dullin, Barbara Pedretti.

production

Le cabinet des curiosités

coproduction

TU, Genève & Reso (CH)

support

Pro Helvetia, Reso – Swiss dance network, Ville de Genève, République et Canton de Genève, Loterie Romande, Nestlé pour l'Art.


Walking Walking Walking Walking Walking Walking Walking Walking Walking Walking Walking Walking Walking Walking

2/3

2011–15

In 2011, Bastien and I met when we were invited to collaborate with each other by Myriam Kridi, the former programmer of the Théâtre de l'Usine, Geneva. At that time, Bastien was mainly involved in graphic design, and I working with in-situ performance. Initially, we talked of installing a small sailboat on set and working around maritime mythologies and the concept of drifting. From this first proposal we retained only the name - Caravelle. In our next work together, "The Red Factory,” created for "Les Urbaines” festival at Lausanne, we radicalised our collaborative practice through the abandonment of decorative and myth-making attempts in our combined gestures.

In bare spaces we construct graphic landscapes using our bodies as measuring tools. Our interaction with the site reveals a perspectival anamorphosis, visible to the audience from a single point of view.

In collaboration with Bastien Gachet

VENUE

Underbelly Arts, Sydney (AUS), 2015
CACY, Yverdon-Les-Bains (CH), 2013
Far°, Nyon (CH), 2013
Les Urbaines, Lausanne (CH), 2012
Théâtre de l'Usine, Genève (CH), 2011

CREW

Concept and performance: Gregory Stauffer & Bastien Gachet
Dramaturgy: Marius Schaffter
Administration: Ysaline Rochat, Laure Chapel Pâquis production
Pictures: Chloé Tun Tun, Mr TomJones
Video: Chloé Tun Tun
Graphic Design: Alex Dujet/ Future Neue

production

Le cabinet des curiosités

support

Sydney: Pro Helvetia
République et canton de Genève
Ville de Genève
Yverdon: AVDC – Association vaudoise de danse contemporaine
CACY – Centre d'art contemporain_Yverdon-les-Bains
Ville d'Yverdon-les-Bains
République et canton de Genève
Nyon: Corodis
République et canton de Genève
Ville de Genève
Affaires culturelles de l'Etat de Vaud
Lausanne: Les Urbaines
Loterie Romande
République et Canton de Genève
Affaires Culturelles de l'Etat de Vaud
Pour-cent Culturel Migros
Corodis
Genève: Loterie Romande
Fonds Mécénat SIG
Nestlé pour l'Art
Pour-cent Culturel Migros
Ernst Göhner Stiftung


http://www.deuxsurtrois.ch

http://www.bastiengachet.ch

http://cargocollective.com/tuntun

http://www.futurneue.cc/

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Introducing Schaffter & Stauffer

2014

Marius and I met at the age of 12 around a table tennis table, speaking and sharing about our parents’ divorces. A bond established, we played experimental and performative rock for 8 years until our early twenties. At that time we saw a truly brilliant and inspiring dance piece together, revealing previously unknown possibilities of movement and staging. Afterwards, we went our separate ways without ever losing close contact. It was not until 2011 that we finally had the chance to perform together again in a flat in Vevey. This moment sparked the renewal of our duo : Schaffter & Stauffer.
In 2014, under the eyes of the audience, we have submitted this duo to a series of choreographic and performative actions to establish its existence. Shifting from a gallery opening to a concert in glitter blue, from warm-up ritual to kaleidoscopic choreography, from intimate tales to knowledgeable erudition, or even from a sports challenge to the ceremony closure, we put our duo through the trials of scenic performance, all while using theatrical representation as a tool of our own: to make a name for ourselves and to create an instantaneous community with the spectators.

In collaboration with Marius Schaffter

VENUE

Arsenic, Lausanne (CH), 2016
Centre Culturel Suisse, Paris (FR), 2015
Musée de la Chasse et de la Nature, Paris (FR), 2015
Skorohod Swiss Weeks, St. Petersburg (RU), 2015
Something Raw, Amsterdam (NL), 2015
Swiss Contemporary Dance Days, Zurich (CH), 2015
Théâtre de l'Usine, Genève (CH), 2014

CREW

Concept and performance: Gregory Stauffer & Marius Schaffter
Stage design and costumes: Jérôme Stünzi
Composition and sound: Ariel Garcia
Lights: Antoine Frammery
Administration: Laure Chapel Pâquis production

production

Le cabinet des curiosités

coproduction

Le Théâtre de l’Usine, Genève (CH)

support

Bourse chorégraphique SSA, Ville de Genève, Loterie Romande, République et Canton de Genève, Fondation Nestlé pour l’Art, Fondation Ernst Göhner, Corymbo Stiftung, Fondation Engelberts. A project developped within “Danse et Dramaturgie 13-14”, leaded by Théâtre Sévelin 36 in Lausanne in partnership with Dampfzentrale in Bern, Tanzhaus in Zurich, Théâtre de l’Usine in Geneva and supported by Pro Helvetia, the Société Suisse des Auteurs (SSA) and the Pour-cent culturel Migros.


http://schaffterstauffer.tumblr.com

Introducing Schaffter & Stauffer Introducing Schaffter & Stauffer Introducing Schaffter & Stauffer Introducing Schaffter & Stauffer Introducing Schaffter & Stauffer Introducing Schaffter & Stauffer

Rehearsing Revolution

2011–14

In 2007, Johannes met Boris while hitchhiking towards Spain. At that time, Boris and Aaike were working together as filmmakers in Rotterdam while Johannes and I were collaborating on performance works in Berlin. We founded the collective Authentic Boys, bringing together our respective artistic practices, developing works composed of videos, short films, performances, photos and workshops. Since our first solo exhibition Hanging out in Time and Space (2009), the collective has continued working together between Geneva, Rotterdam and Berlin.

In 2011, in response to an invitation from Tent in Rotterdam to host their education program, Authentic Boys shaped the Rehearsing Revolution performance training ground. Over 500 young teenagers took part in this program. Our goal was to confront teenagers with their own “revolutionary potential”, activating their authentic artistic powers and capturing the results through a series of video and photographic portraits. We repeated this process in Birmingham and Nyon in 2014.

In collaboration with Authentic Boys

VENUE

TENT Rotterdam (NL) 2011 .
Fierce Festival and mac in Birmingham (UK) 2014.
Far festival des arts vivants and College de Marens in Nyon (CH) 2014.

Videoclip Le Feu
Music: Hyperculte
Words: Hyperculte and Douglas Adams
Produced, engineered and mixed by Tobias Levin and Hannes Plattmeier, at Electric Avenue Studio, Hamburg, Oct./Nov. 2015
Mastered by Hans Wagner at Solidart Mastering, Vienna, Jan. 2016.
hyperculte.bandcamp.com
Video: Authentic Boys
with the youths of College de Nyon-Marens
as a part of the Rehearsing Revolution project
Co-production: Far festival des arts vivants, Nyon and Etablissement primaire et secondaire de Nyon-Marens
Thanks to Ariel Garcia and Peter Bijl
Video edit 2016.

CREW

Aaike Stuart
Boris Van Hoof
Gregory Stauffer
Johannes Dullin

production

Authentic Boys

support

Supported by the Goethe-Institut London, CBK Rotterdam (NL), Fierce Festival and mac in Birmingham (UK), Far festival des arts vivants, College Le Marens and RegioNyon in Nyon (CH), Cine5K


http://www.authentic-boys.com/

http://www.aaikestuart.com/

http://www.borisvanhoof.com/

http://www.johannesdullin.com/

Rehearsing Revolution Rehearsing Revolution Rehearsing Revolution Rehearsing Revolution Rehearsing Revolution

The Drummer and the dancer

2011–14

At this time I was working on in-situ choreographic writing about extracting systems of movement from body-architecture dialogues. In the context of this research, the body became a visual reference in the landscape; its movements expressing a reading of space and structure. From this process, I was inspired to create images of the body in space and to compose sequences of these.
As the research continued, I invited my friend Tarik, a sculptor and drummer, to interpret and invest a sonic dimension in the process. This interaction of drummer and dancer created a collaborative system in which the body draws space while the percussion increases the volume and depth, revealing hidden dimensions. The dance choreography and percussion are executed independently in a common space-time. An attempt to construct a landscape.

In collaboration with Tarik Hayward

VENUE

AGORA Athens 4th biennale, Athens (GR), 2013
So Swiss, Besançon (FR), 2012
Swiss Performance Price, Baden (CH), 2012
Stromereien festival, Zurich (CH), 2011
Who’s Afraid of Performance Art?, Genève (CH), 2011

production

Le cabinet des curiosités

http://www.tarikhayward.tumblr.com

The Drummer and the dancer The Drummer and the dancer The Drummer and the dancer

Verbmemove

2013

A strong influence on my early work came from theories and practices of sculpture and land art. Among key artists of this genre the work of Richard Serra. 

In Verb list: actions to relate to oneself (1967-68) Serra presents an inventory of actions by which we can work sculptural material. In response to this work, I produced a video in which I use my body in motion to execute the 108 verbs of Serra’s list.

Solo

VENUE

Focus sur deux œuvres, Morteau (FR) 2023
Persistance, Maîche (FR) 2022
Médiathèque, Saint-Hippolyte (FR) 2022
Dance First Think Later, Genève (CH) 2020
Performance Process, Basel (CH) 2018
Lycée Augustin Cournot, Gray (FR) 2018
Centre Culturel Suisse, Paris (FR), 2015
CACY, Yverdon-les-Bains (CH), 2014

production

Le cabinet des curiosités

support

1 mètre cube


https://www.navigart.fr/fracfc/artwork/370000000027794?filters=query%3Astauffer&page=1&layout=grid&sort=by_author

Verbmemove Verbmemove Verbmemove Verbmemove